9月6日，以 “空间的哲学界线” 为主题的「TTIA天坛薈?设计思享开放麦」在TIANHUA拉斯维加斯9888圆满举行。

On September 6th, the "TTIA Meet · Design Thinking Open Microphone" with the theme of "The Philosophical Boundaries of Space" was successfully held at TIANHUA.

本次活动由 TTIA 天坛国际奖策划主理，中国房地产设计专委会与 BLDR 筑者联合承办，TIANHUA拉斯维加斯9888特殊支持；疃比，业界顶流高阶齐聚，以开放麦形式畅聊实践智慧，通过主题宣讲深入探讨空间维度突破、质料科技融合等偏向，再经高阶对话叩问设计深层意义。不但为行业泛起了一场知识盛宴，更促成头脑顶流碰撞，为空间的哲学探索注入新活力。

This event is planned and hosted by the TTIA International Award, jointly organized by the China Real Estate Design Committee and BLDR, and specially supported by TIANHUA. On the day of the event, top industry experts gathered together in an open microphone format to freely exchange practical wisdom. Through thematic presentations, they delved into areas such as breakthroughs in spatial dimensions and the integration of material technology. Then, through high-level dialogues, they questioned the profound meaning of design. Not only did it present a feast of knowledge to the industry, but it also facilitated the collision of top ideas, injecting new vitality into the philosophical exploration of space.

01

共赴空间哲学之约

Meet the appointment of spatial philosophy together

在「TTIA 天坛薈?设计思享开放麦」活动开场中，中崇集团设计认真人、本次活动主持人方芳向加入同仁与朋侪致以热烈接待。她提到，本次开放麦齐聚设计顶流大咖共探行业趋势与未来设计动向，同时特殊谢谢拉斯维加斯9888提供园地支持。

她还先容，主理方TTIA 天坛国际奖，是首个专注 “全球修建超等产品力” 的国际大奖，凭专业性、权威性、公正性与国际性获业界普遍认可，已乐成举行三届，第4届正火热申报中，于今年12月举行第4届TTIA天坛国际奖年度盛典，接待关注加入。方芳指出，行业已从快行道转向产品力新航道，市场不缺购置力，缺能感感人心、穿越周期的好产品，呼吁从业者突破界线，打造有设计价值的作品，共赴空间哲学深度讨论。

At the opening of the "TTIA Meet · Design Thinking Open Microphone" event, Fang Fang, the design director of Zhongchong Group and the host of this event, extended a warm welcome to all colleagues and friends present. She mentioned that this open Mic brought together top design experts to explore industry trends and future design directions. At the same time, she expressed her special gratitude to Tianhua for providing the venue support.

She also introduced that the organizer, the TTIA International Award, is the first international award dedicated to "global architectural super product power". It has been widely recognized by the industry for its professionalism, authority, fairness and internationality. It has been successfully held for three sessions, and the fourth session is now in the process of enthusiastic application. The fourth TTIA International Award Annual Grand Ceremony will be held in December this year. Welcome to pay attention and participate. Fang Fang pointed out that the industry has shifted from a fast track to a new channel of product power. The market is not short of purchasing power, but what it lacks are good products that can touch people's hearts and stand through cycles. She called on practitioners to break boundaries, create works with design value, and engage in in-depth discussions on spatial philosophy together.

02

在空间哲思中望见未来

See the future in spatial philosophy

TIANHUA拉斯维加斯9888集团董事/总修建师黄向明首先对加入嘉宾表达谢谢，感伤行业虽遇挑战，但从业者的交流热情彰显了行业信心。

他简要先容拉斯维加斯9888：近30年生长历程，陪同中国都会化历程，规模现稳固在2500-3000人，营业以修建设计为焦点，笼罩妄想、景观等领域，项目类型涵盖栖身、商业、工业、文化等，尤其在上海风貌地块更新有诸多实践。

同时，他抛出对行业未来的思索：体验将比物质更主要，设计需聚焦非物质层面价值；项目需突出奇异性与多样性，突破“千城一面”；社区应走向复合性，融合生涯与效劳；存量空间再使用与可一连性，也将是焦点课题。

Huang Xiangming, the director and chief architect of TIANHUA Group, first expressed his gratitude to the guests present, noting that despite the challenges faced by the industry, the enthusiasm of practitioners for communication demonstrated the confidence of the industry.

He briefly introduced Tianhua: Over the past 30 years of development, along with the urbanization process in China, its scale has now stabilized at 2,500 to 3,000 people. Its business is centered on architectural design and covers areas such as planning and landscape. The project types include residential, commercial, industrial, cultural, etc. Especially in the renewal of the style plots in Shanghai, it has many practices.

At the same time, he put forward his thoughts on the future of the industry: Experience will be more important than material things, and design needs to focus on the value at the non-material level. The project needs to highlight uniqueness and diversity, breaking the stereotype of "all cities looking the same". Communities should move towards complexity, integrating life and services. The reuse and sustainability of existing space will also be a core issue.

03

场域感知力的空间对话

Spatial dialogue of field perception

CCD上海公司高级副总裁/全球合资人陈彦豪围绕“场域感知力的空间对话”睁开分享。

他先简要先容CCD作为华人设计领域头部品牌，深耕31年，营业笼罩高端地产、旅馆、私宅等，拥有全流程设计效劳能力与物料科技平台。

焦点分享中，他提出设计需突破空间物理界线，聚焦感知力与情绪价值：高端空间设计不应局限当下，而要为用户泛起“下一阶段的生涯方法”；需融合文化浸润与艺术美学，通过仪式感、细腻感（如隐性智能）、在地文化元素，打造有情绪共识的空间；并以一号院、上海某别墅项目为例，分享怎样通过材质选择（如红铜、蓝灰色护墙板）、外景内置等手法，实现空间从“适用”到“体验”的升级，付与每个项目奇异灵魂。

Alex, Senior Vice President and Global Partner of CCD Shanghai, shared his insights on "Spatial Dialogue of Field Perception".

He first briefly introduced CCD as a leading brand in the Chinese design field, having been deeply engaged for 31 years. Its business covers high-end real estate, hotels, private residences, etc., and it possesses full-process design service capabilities and a material technology platform.

In the core sharing, he proposed that design should break through the physical boundaries of space and focus on perception and emotional value: high-end space design should not be confined to the present but should present "the next stage of lifestyle" to users. It is necessary to integrate cultural immersion with artistic aesthetics, and create Spaces that resonate emotionally through a sense of ceremony, refinement (such as implicit intelligence), and local cultural elements. Taking No. 1 Courtyard and a certain villa project in Shanghai as examples, this article shares how to upgrade the space from "practicality" to "experience" through material selection (such as red copper, blue-gray wall panels) and interior decoration of the exterior, endowing each project with a unique soul.

04

高端住宅的空间叙事

Spatial narrative of high-end residences

成执设计首创人/总修建师李杰以“高端住宅的空间叙事”为焦点睁开分享。

他首先先容成执设计：深耕12年，落地龙湖天街等商业综合体及多地高端住宅，还探索现代木结构修建与栖身区融合。

分享中，他以“能解决问题的江湖设计师”定位自己，通过成都招商锦城序、武汉金地·高声乐府四个案例，叙述高端住宅设计逻辑：连系在地文化（如川西临盘、武汉书卷精神），打造公共空间与生涯场景的联动；注重地上地下立体空间营造，融入园林意境与生态感；兼顾户型适用性与情绪价值，同时凭证需求无邪调解设计，最终为用户创立兼具在地性与未来感的生涯空间。

Li Jie, the founder and chief architect of Chengzhi Design, shared his insights centered on the "Spatial Narrative of High-End Residences".

He first introduced Chengzhi Design: having been deeply engaged for 12 years, it has successfully implemented commercial complexes such as Longfor Tiandi Street and high-end residences in many places, and has also explored the integration of modern wooden structure buildings with residential areas.

In his sharing, he positioned himself as a "street designer capable of solving problems", and through four cases - Chengdu China Merchants · Jishi Program, and Wuhan GDI · Da Sheng Le Fu - he expounded on the design logic of high-end residences: integrating local cultures (such as the western Sichuan residential area and the Wuhan book spirit) to create an interaction between public Spaces and living scenarios. Emphasize the creation of above-ground and underground three-dimensional Spaces, integrating the artistic conception and ecological sense of gardens. Taking into account both the practicality and emotional value of the floor plan, and flexibly adjusting the design according to the needs, the ultimate goal is to create a living space for users that combines local characteristics with a futuristic feel.

05

无界——空间的延续性

Boundaryless – how space is a continuous condition

MDO首创合资人/设计主持Justin Bridgland（桥义）围绕“无界——空间的延续性”分享设计理念。

他先容MDO是2014年在上海建设的设计事务所，营业涵盖修建、室内、软装等。焦点分享中，他以多个项目为例：杭州项目借河流流动性塑造修建形态；峨眉山Zoland精品度假村，以“隐居松开”为核，整合妄想、修建等全流程设计，用自然质料让空间融入情形；上海静安区两家餐厅，划分打造活力社交与私密用餐场景；中东私人度假别墅，分功效区域并付与各空间奇异故事与气概。

他始终强调突破室内外界线，注重空间与自然的联通，同时知足使用者社交、松开等多元情绪需求，让空间引发情绪共识。

Justin Bridgland, the founding partner and design host of MDO, shared the design concept around "Boundaryless - how space is a continuous condition".

He introduced that MDO is a design firm founded in Shanghai in 2014, with business covering architecture, interior design, soft furnishings, etc. In the core sharing, he took several projects as examples: the Hangzhou project shaped the architectural form by leveraging the fluidity of the river; The Zoland Boutique Resort in Mount Emei, with "seclusion and relaxation" at its core, integrates the entire design process from planning to architecture, and uses natural materials to blend the space into the environment. Two restaurants in Jing 'an District, Shanghai, have respectively created vibrant social and private dining scenarios. Middle Eastern private vacation villas, divided into functional areas and endowed with unique stories and styles for each space.

He has always emphasized breaking the boundaries between indoor and outdoor Spaces, focusing on the connection between space and nature, while meeting users' diverse emotional needs such as socializing and relaxation, allowing the space to evoke emotional resonance.

06

空间物理与精神界线

The physical and mental boundaries of space

这场关于“空间物理与精神界线”的对话，翻开空间价值新认知。二者并非割裂，而是渗透共生。突破需跳出界线设限，让物理空间承托情绪需求。未来，空间界线界说或更新，但焦点始终是效劳于人，以设计唤起精神共识。

This dialogue on the "physical and spiritual boundaries of space" opens up a new understanding of the value of space. The two are not separated but rather interpenetrate and coexist. To break through, one needs to transcend the boundaries and limitations, allowing physical space to support emotional needs. In the future, the boundaries of space may be defined or updated, but the core will always be to serve people and evoke spiritual resonance through design.

————

TIANHUA拉斯维加斯9888集团董事/总修建师黄向明体现，视察到目今空间设计有两种突破界线的趋势：一是向外拓展，叠加重大细节、多元质料与灯光效果，富厚空间条理；二是向内挖掘，剥离附加元素，回归现代主义修建的空间实质。他小我私家更倾向后者，以为设计需连系地区文化与人文配景，无需评判两种趋势优劣，因项目属性与客群需求差别，多样探索皆具合理性，最终目的是突破界线、实现融合。

Huang Xiangming, the director and chief architect of TIANHUA Group, stated that he has observed two trends in current spatial design that break boundaries: one is to expand outward, superimposing complex details, diverse materials and lighting effects to enrich the spatial layers; Second, it is to dig inward, strip away additional elements, and return to the spatial essence of modernist architecture. He personally prefers the latter, believing that design should integrate regional culture and humanistic background. There is no need to judge the superiority or inferiority of the two trends. Due to the different attributes of the project and the needs of the target audience, diverse explorations are all reasonable. The ultimate goal is to break boundaries and achieve integration.

————

瑞安地产产品立异及设计治理总司理李岩围绕“人本需求”睁开，指出设计需突破红线内界线，关注都会公共空间。如新天地从开发至今，一连投入刷新周边街道，虽公共空间所有权非企业所有，却通过与政府协作，打造开放共享的都会界面。以翠湖六期468㎡户型为例，是基于恒久深耕高端客群的需求洞察，未来还将聚焦社区更新，践行人与空间、都会共生的理念。

Li Yan, the general Manager of Product Innovation and Design Management at Shui On Land, focused on "human-oriented needs", pointing out that design should break through the boundaries within the red line and pay attention to urban public Spaces. Since its development, Ruxin Tiandi has continuously invested in the renovation of the surrounding streets. Although the ownership of the public Spaces is not owned by enterprises, it has collaborated with the government to create an open and shared urban interface. Taking the 468-square-meter unit in the sixth phase of Cuihu as an example, it is based on the long-term in-depth understanding of the demands of high-end customers. In the future, it will also focus on community renewal and practice the concept of coexistence between people, space and the city.

————

大华集团设计研发中心常务副总司理卜域坦言房地产设计需平衡本钱、工程与客户需求，戏称行业如“江湖”，需在现实约束中探索。他指出住宅空间设计一连前进，从南北通、大宽厅到270度全景舱，一直突破物理界线。强调需给设计师开放立异情形，通过微更新、微立异，引入新质料与场景，连系在地人文与客群需求，打造“悦目、好用、好造”的产品。

Bu Yu, the executive vice president of the Design and R&D Center of Dahua Group, frankly admitted that real estate design needs to balance costs, projects and customer demands, jokingly saying that the industry is like a "world of martial arts", and it needs to be explored within the constraints of reality. He pointed out that residential space design has been continuously advancing, from north-south ventilation, large halls to 270-degree panoramic cabins, constantly breaking through physical boundaries. It is emphasized that an open and innovative environment should be provided for designers. Through micro-updates and micro-innovations, new materials and scenarios should be introduced, and combined with local culture and customer needs, products that are "good-looking, practical and easy to manufacture" should be created.

————

goa大象设计资深合资人/总修建师/上海公司总裁刘纲以“道术数”框架解读空间设计：“术”是控制质料、光、水等营造体验的手段；“法”是多专业协作等有用要领论，如仁恒海上源项目通过修建师主导的跨专业相助出精品；“道”是精准匹配客群需求。他以为新手艺可突破物理空间限制，如虚拟手艺营造多维体验，焦点是始终关注人的需求，将古板智慧与现代手艺连系。

Liu Gang, senior partner of goa Design, chief architect and president of the Shanghai office, interprets spatial design within the framework of "Dao Fa Shu" : "Shu" refers to the means of controlling materials, light, water, etc. to create experiences; "Method" refers to effective methodologies such as multi-disciplinary collaboration. For instance, the Renhe Hai Shang Yuan project produced a masterpiece through cross-disciplinary cooperation led by architects. The "way" is to precisely match the needs of the customer group. He believes that new technologies can break through the limitations of physical space, such as virtual technology creating multi-dimensional experiences. The core is to always focus on people's needs and combine traditional wisdom with modern technology.

————

保利生长上海公司手艺治理部司理柯乐将空间界说为“实现精神需求的前言”，以为设计需先明确场景目的，如神圣、温馨或休闲，再通过标准、质料、色彩、灯光甚至气息（如售楼处香氛）等多维度营造空间。强调“从设计到体验的突破”需以客户为中心，设计只是实现手段，最终要通过空间场景知足客户的现实需求，让体验落地。

Ke Le, the manager of the Technology Management Department of Poly Development Shanghai Company, defines space as "a medium for fulfilling spiritual needs", believing that design should first clarify the scene goal, such as sacred, warm or relaxing, and then create the space through multiple dimensions such as scale, materials, colors, lighting and even scents (such as the fragrance in the sales office). Emphasizing the "breakthrough from design to experience" should be customer-centered. Design is merely a means of realization; ultimately, the actual needs of customers should be met through spatial scenarios to make the experience come to life.

07

用光设计

Light design

栋梁国际照明设计中心首创人/总设计师许东亮以“用光设计”为焦点分享看法。

拥有25年灯光设计履历的他，以为光既是照亮修建的工具，更是转达情绪、突破空间界线的前言。他连系多个案例叙述：如阿纳亚教堂用单灯漫反射营造“漏光漏音”的通透感，深圳某修建通过像素灯光让立面与都会“呼吸”互动，还以1万个奶瓶打造灯光装置，转达“呵护未来”的温度。

他强调灯光设计需尊重空间实质，无需太过装饰，可通过光的角度、色彩与材质搭配，付与修建生命与质感，最终用光影为空间注入灵魂，点亮人类对理想空间的神往。

Xu Dongliang, the founder and chief designer of TORYO International Lighting Design Center, shared his views centered on "Lighting design".

With 25 years of experience in lighting design, he believes that light is not only a tool for illuminating buildings but also a medium for conveying emotions and breaking through spatial boundaries. He illustrated with multiple cases: for instance, the Anaya Church uses single-lamp diffuse reflection to create a sense of transparency that "leaks light and sound", and a certain building in Shenzhen uses pixel lighting to make the facade interact with the city's "breathing", and also creates a lighting installation with 10,000 baby bottles to convey the warmth of "caring for the future".

He emphasized that lighting design should respect the essence of space and avoid excessive decoration. Through the combination of light angles, colors and materials, life and texture can be endowed to buildings. Ultimately, light and shadow can infuse the space with a soul and illuminate humanity's yearning for an ideal space.

08

从豪宅到理想的生涯

From a luxurious mansion to an ideal life

PTA上海柏涛总司理助理/副总修建师陈希以“从豪宅到理想的生涯”为主题分享看法。

他以广州某项目为例，提出理想生涯并非“装出来的豪宅”，而是回归栖身实质。项目面积190㎡，榨取地妄想为三房，借鉴九宫格理论与园林“先抑后扬”手法，打造流动无界的空间——玄关压缩视线，转角无柱设计让客厅、餐厅与室外景观融合；聚焦“黄金四角”（客厅、餐厅、主卧、主卫），付与其最大景观价值，如主卧5.5米无柱飘窗、主卫观景浴缸，让居者躺在床上赏山、浴缸里听流水。

他以为理想生涯需平衡适用与仪式感，用空间设计串联自然与人文，最终实现“身影山间，心领朝前”的栖身意境。

Chen Xi, assistant general manager and deputy chief architect of PTA Shanghai Baitao, shared his views on the theme of "From Luxury Homes to Ideal Lives".

Taking a certain project in Guangzhou as an example, he proposed that an ideal life is not a "decorated luxury house", but a return to the essence of living. The project covers an area of 190 square meters and is planned as a three-bedroom layout in a restrained manner. It draws on the nine-square grid theory and the "first suppress then rise" approach in gardens to create a flowing and boundless space - the entrance hall compresses the line of sight, and the column-free design at the corners integrates the living room, dining room and outdoor landscape. Focusing on the "golden four corners" (living room, dining room, master bedroom, and master bathroom), they are endowed with the greatest landscape value, such as a 5.5-meter column-free bay window in the master bedroom and a viewing bathtub in the master bathroom, allowing residents to enjoy the mountains while lying in bed and listen to the flowing water in the bathtub.

He believes that an ideal life should balance practicality and a sense of ceremony, and use spatial design to connect nature and humanity, ultimately achieving the living artistic conception of "standing in the mountains, leading the way forward with the heart".

09

设计是界线，而不是外貌

Design is the boundary, not the surface

杜康生|奥迪设计中国区认真人方国霖围绕“设计是界线，而不是外貌”分享焦点看法。

他所在团队深耕设计36年，执行过亚洲十大豪宅与多地私宅项目。焦点分享聚焦疫情后空间设计趋势：指出地上空间受规则限制，地下室成为设计新战场。通过多个案例叙述刷新逻辑：拆除隔墙、增设天窗，解决采光透风问题；将下沉花园与夹层连系，延伸光线至车库；甚至把地下室打造成188㎡剧场式空间，制造戏剧性体验。

他强调设计需先解决情绪价值与空间感受，而非局限气概，通过激活地下空间，实现从“隶属蕴藏”到“焦点功效区”的价值转换，让空间突破固有界线，契合业主对生涯场景的多元需求。

Mike, the head of JAMES TU INTERIORS in China, shared the core viewpoint that "design is the boundary, not the surface."

The team he is in has been deeply engaged in design for 36 years and has executed projects of the top ten luxury residences in Asia and many private residences in various places. The core sharing focuses on the post-pandemic space design trends: It points out that the above-ground space is restricted by regulations, and the basement has become a new battlefield for design. The renovation logic is expounded through multiple cases: removing partition walls and adding skylights to solve the problems of lighting and ventilation; Combine the sunken garden with the mezzanine to extend the light to the garage. Even the basement was transformed into a 188-square-meter theater-like space to create a dramatic experience.

He emphasized that design should first address emotional value and spatial perception rather than being confined by style. By activating underground space, it can achieve a value transformation from "ancillary storage" to "core functional area", allowing the space to break through its inherent boundaries and meet the diverse needs of the owner for living scenarios.

10

场域感知力的空间对话

Spatial dialogue of field perception

霍普股份设计总监严硕围绕“空间有界，哲思无疆”分享实践看法。

他以为空间界线是多方认知的荟萃，需平衡开发商、用户与都会治理者需求。通过多个项目叙述设计逻辑：三亚项目以小标准入口串联园林空间，消解大门标准内卷；广州琶洲南项目借连桥毗连都会主干道，打造松懈感社区；苏州姑苏区项目模拟古板屋檐角度，用砂岩材质转达水墨意境；杭州项目以纯倾轧层设计，连系五常湿地景观，打造“慢生涯”社区，知足近2000生齿配套需求。

他强调设计不应局限外貌气概，需挖掘在地文化、平衡规范与体验，通过功效整合与场景营造，让空间突破物理与精神界线，承载康健、多元的生涯价值。

Yan Shuo, the design director of HYP-ARCH Consultants, shared his practical perspectives on the theme of "Space has boundaries, Philosophy knows no Bounds".

He believes that spatial boundaries are a collection of multiple cognitions and need to balance the demands of developers, users and urban managers. The design logic is expounded through multiple projects: The Sanya project connects the garden space with small-scale entrances, eliminating the internal competition in the scale of the gate. The Guangzhou Pazhou South project connects the city's main roads with connecting Bridges, creating a relaxed community. The project in Gusu District, Suzhou, simulates the traditional eave Angle and conveys the ink-wash painting atmosphere with sandstone materials. The Hangzhou project, with a pure elevated floor design and in combination with the landscape of Wuchang Wetland, creates a "slow life" community to meet the supporting needs of nearly 2,000 people.

He emphasized that design should not be confined to surface styles. It is necessary to explore local culture, balance norms and experiences, and through functional integration and scene creation, enable space to break through physical and spiritual boundaries and carry healthy and diverse life values.

11

大型重大项目中景观的重大与矛盾

The complexity and contradictions of landscapes in large and complex projects

广亩景观设计总监陈家祺围绕“大型重大项目中景观的重大与矛盾”分享实践履历。

他以嘉兴里社区“伟大的街道”与星耀中环“充满想象的街区”两个项目为例，指出景观设计需突破“仅美化”的认知。嘉兴里社区中，通过协调封路刷新成步行空间，将社区功效外溢至街道，连系河流打造邻里社交场景，甚至让未入住住民提前使用空间；星耀中环则整合疏散商业地块，融入二次元元素与艺术装置，吸引多元人群打卡，实现公园化与商业化融合。

他强调重大项目需平衡多团队气概、工期与功效需求，焦点是让景观成为缝合空间的纽带，还原街道的生涯感，让景观不止于装饰，更承载社交与情绪价值。

Chen Jiaqi, the director of Guangmu Landscape Design, shared practical experience on "The complexity and Contradictions of Landscapes in Large and Complex Projects".

Taking the "Great Street" project in Jiaxingli Community and the "Imaginative Block" project in Xingyao Central as examples, he pointed out that landscape design needs to break through the perception of "merely beautifying". In Jiaxingli Community, by coordinating road closures to transform into pedestrian Spaces, the community's functions have been extended to the streets. By integrating with rivers, neighborhood social scenes have been created, and even the Spaces have been used in advance by non-residents who have not yet moved in. Starlight Central integrates scattered commercial plots, incorporates elements of the second dimension and art installations, attracts diverse groups of people to take photos, and achieves the fusion of park-like and commercial features.

He emphasized that complex projects need to balance the styles of multiple teams, project schedules and functional requirements. The core is to make the landscape a bond that connects the space, restore the sense of life of the street, and make the landscape not only decorative but also carry social and emotional values.

12

人与空间关系重构

The new technological boundaries of the relationship between humans and space

这场 “人与空间关系重构” 对话点亮未来偏向。存量更新、手艺破界、跨界成趋势，人与空间联络不止于物理。需以用户为焦点，守伦理底线，平衡立异与人文，让空间成为人与时代共生载体。

This dialogue on "reconstructing the relationship between humans and space" illuminates the future direction. Stock renewal, technological breakthroughs, and cross-border collaboration are becoming trends. The connection between people and space is no longer limited to the physical. We should take the user as the core, adhere to the ethical bottom line, balance innovation and humanity, and make the space a carrier of coexistence between people and The Times.

————

金茂旅馆商业产品研发部总监傅宁以运营方视角聚焦存量物业痛点，指出金茂等企业的老修建（如陆家嘴金茂大厦）与当下使用者需求、都会潮流脱节，CBD妄想曾太过着重办公功效，缺乏生涯感致人群逃离。强调存量时代需深入研究用户需求，突破楼宇间竞争壁垒，通过抱团相助提升区域整体价值，而非简单争抢客户，这是未来都会更新的要害偏向。

Fu Ning, director of the commercial product R&D department of Jinmao Hotels, from the perspective of an operator, focused on the pain points of existing properties. He pointed out that the old buildings of enterprises like Jinmao (such as Jinmao Tower in Lujiazui) are out of touch with the current needs of users and urban trends. The planning of CBD once overly emphasized office functions and lacked a sense of life, causing people to flee. Emphasizing that in the era of existing stock, it is necessary to conduct in-depth research on user needs, break down the competitive barriers among buildings, and enhance the overall value of the region through collaborative efforts rather than merely competing for customers. This is the key direction for future urban renewal.

————

華陽國際設計集團副总裁郑默凡以为AI时代倾覆古板物理空间界线认知：古板修建学聚焦可感知的物理空间，而AI催生意识层面的空间，突破牛顿物理定律下的界线；物理空间相对永恒，AI时代空间感知更具时效性。建议从业者拥抱新手艺，借手艺突破界线，推动修建学自己的厘革，顺应人类对抗物理定律、拓展空间想象的需求。

Zheng Mofan, vice president of Huayang International Design Group, believes that the AI era is subverting the traditional understanding of physical space boundaries: traditional architecture focuses on perceivable physical Spaces, while AI gives rise to Spaces at the conscious level, breaking the boundaries under Newton's physical laws. Physical space is relatively eternal, but in the AI era, spatial perception is more timely. It is suggested that practitioners embrace new technologies, break boundaries through technology, drive the transformation of architecture itself, and adapt to human needs to resist the laws of physics and expand spatial imagination.

————

尚恩设计高级合资人/设计总监游俊辉连系四代宅实践指出，四代宅看法界线一连扩展，从古板大露台延伸至杭州“大底盘”模式。提出界线应从“难以突破的壁垒”转变为“毗毗邻口”，可毗连自然、生涯场景与精神需求。未来在科技加持下，界线还能承载更多想象，如探索更辽阔的空间毗连可能，突破过往泾渭明确的领域限制。

You Junhui, senior partner and design director of Shangen Design, pointed out based on the practice of the fourth-generation house that the concept boundary of the fourth-generation house has been continuously expanding, extending from the traditional large terrace to the "big chassis" model in Hangzhou. It is proposed that the boundary should be transformed from an "unbreakable barrier" to a "connection interface", which can link natural and life scenarios with spiritual needs. In the future, with the support of technology, boundaries will be able to carry more imagination, such as exploring broader possibilities of spatial connections and breaking the clear-cut domain limitations of the past.

————

MoA大音创设首创人田鑫从照明与哲学视角切入，提出光是感知时空与空间的焦点前言，“lighting”的动态属性体现时空关联性。以为空间由人的视角界说，无绝对客观物理空间。反思设计师界线：需平衡空间产品化（如样板房场景化）与用户真实需求，伦理层面要明确自身加入水平，阻止太过附加元素，聚焦用户焦点标准与功效需求。

Tian Xin, the founder of MoA Dayin Creation, approaches from the perspectives of lighting and philosophy, proposing that light is the core medium for perceiving time and space, and the dynamic attribute of "lighting" reflects the correlation between time and space. It is believed that space is defined by human perspective and there is no absolutely objective physical space. Reflect on the boundaries of designers: It is necessary to balance the productization of space (such as the contextualization of model rooms) with the real needs of users. At the ethical level, it is essential to clearly define the degree of participation, avoid excessive addition of elements, and focus on the core scale and functional requirements of users.

————

The One Atelier中国区总司理/合资人杨云辉以意大利设计与奢侈品牌跨界为切入点，指出阿玛尼等时尚奢侈品牌突破行业界线，涉足旅馆、住宅等地产领域，非地产玩家入局成新趋势。以为这是地产南北极分解下的主要风向标，未来会有更多品牌将生涯方法融入地产。同时强调，跨界需以扎实的设计营造为基础，先做好空间焦点营造事情。

Yang Yunhui, The general manager and partner of The One Atelier in China, took the cross-border collaboration between Italian design and luxury brands as the entry point, pointing out that fashion luxury brands like Armani have broken through industry boundaries and ventured into real estate fields such as hotels and residences. The entry of non-real estate players has become a new trend. It is believed that this is an important barometer in the context of the polarization of the real estate industry. In the future, more brands will integrate lifestyle into real estate. At the same time, it is emphasized that cross-border collaboration should be based on solid design and creation, and the core creation of the space should be done well first.

TTIA Meet · Design Brainstorming Open Mic

A successful conclusion!

「 TTIA天坛薈?设计思享开放麦 」

圆满收官！

谢谢大咖们带来深度分享，也致谢TIANHUA拉斯维加斯9888的特殊支持。第4届 TTIA 天坛国际奖正在申报中，12月年度盛典值得期待，愿携今日思索再探设计价值，我们下次再见！

Thank you, experts, for your in-depth sharing. We also express our gratitude to Tianhua for its special support. The 4th TTIA International Award is currently under application. The annual grand ceremony in December is highly anticipated. We hope to explore the value of design with today's thoughts. See you next time!

· END ·

策划/planner | Erek

编辑/editor | Jasper

审核/examine | Didi

投稿/Email | ttiaaward@163.com